Sewing Machine Needle: Does SCHMETZ Work With My Machine?

Wondering if SCHMETZ needles work with your home sewing machine?

Machine_LogosSCHMETZ works with all these machine brands!  SCHMETZ 130/705 H – see the October 8th post if you need a refresher on the meaning of 130/705 H –  is compatible with all these home sewing machine brands in the marketplace.  That’s a relief!  There are a few older Singer machines that require a different needle system, plus a few specialty machines such as needle felting and sashiko machines that do not use SCHMETZ 130/705 H needles.  SCHMETZ engineers work with sewing machine manufacturers around the world to ensure that the SCHMETZ needle performs properly in your home sewing, embroidery and quilting machines. 

Jeans (Denim) Needle

SCHMETZ Jeans (Denim) Needle

The Jeans Needle has a modified medium ball point and a reinforced blade.

The advanced point design is a SCHMETZ® exclusive.

For penetrating extra thick woven fabrics, denims, or quilts with minimum needle deflection, reduced risk of needle breakage and skipped stitches.

Sizes: 70/10, 80/12, 90/14, 100/16, 110/18, 4.0/100

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Pam Damour – The Decorating Diva

Pam Damour, The Decorating DivaPam Damour, the Decorating Diva, is one of the busiest speakers on the sewing circuit. She writes books, creates patterns, and develops classes and topics for trade shows, consumer shows, sewing guilds and stores. She travels extensively, and by her own estimation, she is only home about one weekend a month.

She says of herself, “I’m a menopausal woman with ADHD. I’m like a hummingbird on crack.”

So — how does a girl grow up to become a hyperactive Decorating Diva??

Pam was born and raised in upstate New York. She still lives in the county where she was born in Champlain. She likes to say she can see Vermont and Canada from her house. Her home is a log cabin, built by her husband Joe. Her only child, Leah is a former jewelry designer for The Jones Group/Dana Buchman and is currently attending grad school for Counseling and Art Therapy.

“Growing up, I spent a lot of time at my grandmother’s farm, and she sewed out of necessity. My dad was the mechanic for the local farmers, and Mom would get boxes of old clothes from the rag man, and she would tear them up for Dad to use as grease rags. I would harvest buttons and pieces of fabric out of those boxes and use them to make wardrobes for my cats and dogs. I got my first hand crank sewing machine when I was six years old. When I was in the third grade, I started to use Mom’s electric sewing machine. I was destined to become a teacher and I taught my first class when I was in the 4th grade. I made a poncho with bright green pom-poms and I wore it to a Girl Scout meeting. Everybody wanted to make one. So I wrote up the instructions, and asked the office lady at school if she would print it off on the mimeograph machine.”

Tangled Blooms

Tangled Blooms

Pam’s job during high school was working as a tailor’s apprentice. Although Pam started college with every intention of becoming a fashion designer, she realized she liked interior design better, so she switched gears. After college, she started her own business, Pam’s Originals. After she married her husband Joe, they moved and her business became “Damour Designs.” Pam focused on interior design for residential clients. In order to create what she envisioned, Damour Designs established a professional drapery workroom.

Eventually, Pam started to do workroom training for the interior design industry. As her reputation grew, she was invited to teach these techniques at consumer events. But, Pam realized she could not do both. In 2006, she sold Damour Designs to focus on the sewing industry. In those early class descriptions, she was referred to as the “Decorating Diva,” and the moniker became her new business name. Initially, her classes and seminars were about window treatments, and applying professional standards and techniques to projects for the home sewist.

Pam says, “I have always been known for my techniques. My students learn how to use the various feet that came with their machine. They learn how to apply piping, make different kinds of ruffles or pleats, do zipper insertions, or insert embellishments. This knowledge is useful whether they’re sewing home dec, making a garment or finishing a quilt.”

Joe and Pam
Renaissance Ready

Sewing is not only the basis for Pam’s business — it is a big part of her leisure activities. She and her husband Joe participate in reenactments for the Revolutionary War, the War of 1812, and the French Renaissance. She was very pleased with a jacket she made for Joe, so he could attend a ball for the War of 1812 as a British officer. “I love period sewing and I’ve made some really pretty ball gowns for myself and others. Every time period had its own unique fashion. I also made Joe a really special Samuel D. Champlain outfit (he was the founder of Lake Champlain). We attended a Renaissance Fair, and Joe dressed as Henry the Eighth.’’

Pam’s life is a juggle between being on the road, teaching, and being home to develop new patterns and products. ”It’s like a three legged stool… and it’s tough to keep that balance.”

The Girl with the Dog

The Girl with the Dog

“I’m very fortunate, and I have some wonderful employees who are the wind beneath my wings. Terry, my operations manager, actually runs the business. If I am the face, she is the guts. She keeps everything organized and makes sure the orders keep flowing. My cousins, Penny and Lacey are valuable employees and dear sweet Melody has tried to retire twice. They process orders, do the shipping, help with sewing samples, cutting patterns, editing the instructions, sourcing the printing and packaging, and maintain the data base.”

The Decorating Diva is also known throughout the sewing industry as “The Girl with the Dog.” Pam has always loved dogs. 12 years ago, when her beloved black lab died, Joe said she couldn’t get another dog because she was always on the road. She solved the problem by getting a little dog that could travel with her. Pam and Chrissy have been inseparable for 11½ years now.

Having Chrissy as a traveling companion has an unexpected health benefit for Pam. Like 6 million other people, Pam suffers from a panic disorder. The symptoms of a panic attack feel like a heart attack. Your heart starts pounding and you cannot get a breath. An attack brings on nausea, sweating, dizziness, chest pain, and a fear of dying. Pam realized that Chrissy knew an attack was coming on even before she did because Chrissy would jump into her lap and start kissing her.

“Eventually, I took Chrissy to receive some training so she could become a certified service dog. Up until now, I have been reluctant to tell people I suffer from panic attacks, because most people don’t understand how serious this condition is, and I don’t want them to think I’m crazy. But, at this point in my life, I only have an attack once or twice a year — and I’d like to tell people THERE IS HOPE. Anxiety has a way of making you believe it’s never going to get better. But I am living proof that there is light at the end of that tunnel. ”

Pam’s newest book is, HOLD EVERYTHING. She’s writing it with Betty Mitchell. They met at a sewing conference 13 years ago, and Betty did most of the sewing for Pam’s last three books. “Co-writing this book with Betty has been a joy filled project and we are having a lot of fun with some amazing projects.” Check your local sewing store, or Pam’s website.

Keeping with the times, Pam has been offering live webinars since 2012, broadcasting 25-30 classes per year. She broadcasts live, and shoots with three cameras so you can see her sewing in real time. Once a year, in January, with the help of a few other teachers, they broadcast a live, non-stop 24 hour webinar called the Annual Webathon. Pam has classes on Baby Lock Sew at Home, F&W Craft University and Craftsy.

If she had never learned to sew, Pam thinks she might have been a math teacher. No doubt, she would have been an excellent math teacher, because this woman does whatever she sets her mind to. But the sewing world would have missed their Diva.

www.pamdamour.com

SCHMETZ Metallic Needles

SCHMETZ Metallis Needles

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Fabric Panels

Yes, YOU Can Color the Dream Pillowcase Panel! ©2016 Riley Blake Designs and CRAYOLA™

Yes, YOU Can Color the Dream Pillowcase Panel!
©2016 Riley Blake Designs and CRAYOLA™

If you were a girl in the 1970’s, you may have loved Joni Mitchell and tie-dye, or maybe you were a Cher fan and bell bottoms and fringe were your groove. “Groovy” was a word you actually used.

While we were watching movies like JAWS or Annie Hall, there was a quiet revival taking place. 1976, America’s Bicentennial year, saw a rebirth of our national interest in quilting. If you want to learn more about the mover and shakers of the movement, read the excellent American Quiltmaking: 1970-2000 by Eleanor Levie (2004).

In those early days of the revival, piecing an entire quilt was out of the question for most modern women. It is hard to remember, but we didn’t have access to rotary cutters or mats until the 1980’s, which is why printed fabric panels played an important role in the initial resurgence of quilting. Many of us would be embarrassed by those early cheater quilts. We cringe when we remember using poly/cotton sheets for our quilt backs. But there is no question that 1970’s fabric panels served a purpose. They were the ON RAMP for today’s quilters and they helped spawn an entire industry of quality cutting tools, notions, patterns, books and beautiful, coordinated 100% cotton fabric collections.

When it comes to fabric panels — to quote a famous Virginia Slims campaign — YOU’VE COME A LONG WAY, BABY.

Loralie with her “Dog Gone” panels. Imagine these doggies traveling the world!”

Loralie with her “Dog Gone” panels. Imagine these doggies traveling the world!”

Loralie Harris of Loralie Designs says her whimsical fabric collections always begin with a panel. “The panel is the star of my play.” Once she knows who the star is, she gleefully casts the supporting characters. The coordinating fabrics could be stripes, flowers or polka dots — and there is always a “tossed” version of the original panel. Loralie says, “The inspiration for a panel can come at any moment! The most mundane, ordinary notion can strike and explode into a lively, fun story when illustrated in a panel. The ‘Nifty Nurse’ panel, my first panel is an example with each block expressing a different personality of a nurse which we have all experienced! This panel has been in print now for 13 years unchanged. My newest panel comes from my collection ‘Dog Gone’, the story of cute little doggies traveling the world with each block set in a different iconic location on the planet. A companion poem tells the fun tail!“

During the 2016 Spring International Quilt Market, Rhonda Pierce, (SCHMETZneedles.com Marketing Manager) attended the Joyce Hughes Schoolhouse session. A few weeks ago this blog shared the panel artistry of Joyce Hughes, a fiber artist from Pennsylvania. Starting with a simple fabric panel, Joyce adds thread, fiber and texture to create a unique work of art worthy of a gallery showing.

Using her unique thread painting techniques, Joyce created stunning art from Northcott fabric panels. Rhonda fell in love with the Northcott booth, photographing their impressive fabric panels.

Northcott Panels, Spring 2016 International Quilt Market

Northcott Panels, Spring 2016 International Quilt Market

Although many companies are creating fabric panels, Northcott has a unique history and point of view. According to Deborah Edwards, Design Director of Northcott, “Panels have always been featured in our collections, particularly juvenile collections.

Today’s fabric panels are very different from those of the 70’s, and we do consider them works of art. As technology allows, our panels are becoming more creative and complex. Digital panels are not limited to 24” or 36” and there is no limitation on color. In some instances we create running yardage that looks like a panel; this allows quilters to customize the size of their quilt.”

At Northcott, panel designs are created by the designer who creates the collection whether they are in house or independent artists. Sometimes a collection starts with the panel, other times the panel evolves after the coordinates.

According to Deborah, “We are focusing more on how panels can be used in different ways, either as a complete unit or deconstructed to create something completely new. People have less and less free time and panels allow them to make interesting quilts quickly. One of the biggest benefits to starting with a fabric panel is that the design choices have already been made. Without the panel, selecting fabrics for a project could take many hours, and it isn’t a process everybody enjoys. Panels get them RIGHT TO THE SEWING PART.”

Mary Mulari & Chatterbox Apron Panel by Penny Rose Fabrics.

Mary Mulari & Chatterbox Apron Panel by Penny Rose Fabrics.

Mary Mulari is a new player in the fabric panel world. Mary has written dozens of books covering a wide range of sewing topics: Sweatshirt makeovers, appliqué ideas, embroidery, home dec, and quick gift ideas. She has developed a very popular line of apron patterns. In 2015, she created a line of fabric based on her most popular apron pattern, The Church Ladies Apron.

For 10 years, the Church Ladies apron was Mary’s best-selling reversible apron pattern. She thought it would be a good choice for an apron panel since it fits on a yard of fabric. She also liked the idea of featuring several fabric prints on the panel so the apron would have coordinated parts, such as the neckbands, pockets, and ties, when it was sewn together. Making the panel the center of a fabric collection means that the reverse side of the apron can be made from one of the coordinating prints.

Mary proposed the idea to Penny Rose Fabrics, a sister company of Riley Blake. She worked with the fabric designers to collect vintage floral prints and the result was a collection with an updated vintage look. Mary Mulari’s delicate hand-lettered instructions are recognized by sewing enthusiasts all over the world who have been loyal fans of her patterns and books since the 1980’s. Her hand-lettering became her personal stamp on the Penny Rose apron panel.

Several buyers of the panel have said, “This is just like cutting out paper dolls!” All you have to do is layer the panel over one yard of the coordinating fabric and cut on the lines to “release” the two layers of the apron from fabric. You’ll have an apron made of first quality fabrics, a terrific gift to give at a bridal shower, birthday celebration, or any reason at all. Mary suggests using a piece of leftover fabric to trim a kitchen towel and adding it to the apron gift.

Apron panels make an excellent beginner sewing project because they’re so easy to cut out and sew together. Making the aprons reversible means you don’t have to sew all that pesky bias tape around the edges — a challenge for many who sew. Plus, a reversible apron is more durable and allows the option of wearing the apron on either side.

Mary Mulari’s second apron fabric panel collection, the Chatterbox Apron, will be available in September 2016. It has three colorways for the apron along with 18 coordinating prints.

Lillian is seven years old. Grandma Rita gave her a Featherweight sewing machine for her birthday, and it’s time to learn and practice some basic sewing skills. Cutting was the first big hurdle. Children are used to those rounded paper scissors — but making the transition to a REAL FABRIC SCISSORS was a scary idea for Grandma. And the question is — cut what? Sewing a mini- quilt would be a great first project, but the process was overwhelming. First, she has to pick out a pattern for her project, choose the fabrics that would go together, then measure and mark the little pieces, and cut straight lines. It didn’t sound like much fun.

Lilly learning to cut & sew in the real world.

Lilly learning to cut & sew in the real world.

Then, Grandma Rita found this FABRIC PANEL!! It’s called “Made with Love” designed by Greta Lyn for KANVAS Studio in association with Benartex. The cutting lines are printed on the fabric — so all Lilly has to do is make the scissors work (and keep her fingers out of the way).

Whether you are an accomplished quilt artist, an experienced seamstress or a rookie sewist — you should take another look at fabric panels. Today’s fabric panels are no longer just a quickie quilt. They can be the basis to create the most interesting, one-of-a-kind projects or gifts. Used intact or cut out and strategically placed, or even combined with other panel parts, the sky is the limit.

Fabric panels are bountiful. Start your search at
these sites, then buy from your local quilt shop.

www.benartex.com/kanvas
www.loraliedesigns.com
www.marymulari.com
www.northcott.com
www.rileyblakedesigns.com/pennyrose